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Table of Contents
Hi friends!
Summer is here! I have been walking as if my legs will fall off if I stop. I spent all of yesterday outside at Prospect Park and purchasing from almost every random vendor that appeared near my group. I’m currently listening to two cars genuinely honk back and forth at each other, one short honk after the other, a car-versation.
I’ll try to keep it short today on something I love talking about: crappy food!
I love every New Yorker’s least favorite Italian food
The night I moved to New York, I was recovering from food poisoning and hoping to eat a real meal for the first time in days. My mom, family friends, and I grabbed dinner at La Pecora Bianca in Bryant Park.
For my non-New Yorkers, La Pecora Bianca is a wannabe-upscale, Italian sit-down chain in Manhattan. The dimly lit interior is modeled in a fantasy of who I assume is a former member of The Wing with circular lights and velvety Glinda-and-Elphaba-colored furniture. You can get a negroni sbagliato with prosecco in it, truffle fries on the side of your caesar salad, and a bunch of pastas and meats. For dessert, the tiramisu for two is powdered in the design of the restaurant’s sheep logo.
This restaurant would make a killing in a midsized city; it also makes a killing in New York. It’s nothing special. It’s the truest neutral of a place, an approachable restaurant in a city with millions of better, cheaper, more approachable Italian restaurants. It was the perfect first meal back into eating food and realizing I always had access to great food now. I didn’t know it on my first night in the city (I think I rated it a 9.7 on Beli), but this is one of the most controversial — and often hated — restaurants in New York in the same vein as Rice to Riches and Jack’s Wife Freda.
I like to think I’ve elevated my taste since moving here, eating way better food almost all the time. However, I will always love and defend La Pecora Bianca. To quote The Infatuation, whose reviewer understands the dilemma of this place:
Do we tell you to avoid this restaurant, knowing that there are better Italian restaurants (that won’t force you to eat ancient grains) where we could send you instead? Or do we embrace the situational utility of La Pecora Bianca, and promise you not a mind-blowing experience, but instead a good enough one that’s useful for a casual, potentially gluten-free hang with a group of friends?
Ultimately, we’ll lean slightly towards the latter. At one point or another, everyone needs an easy place for dinner in this part of town, and at the very least, La Pecora Bianca is that. It’s a good move if you’re looking to grab a drink and maybe feed one of your picky friends who just came off a juice cleanse, but it is not a place you probably want to take your buddies from the office before a Knicks game.
So when my friend Megan started crapping on this crappy restaurant over the weekend, I had no choice but to defend my New York orientation friend. I yelled! Although I agree with her claim that La Pecora Bianca is mediocre, my retort is…what if you want something mediocre?
To illustrate how I don’t judge La Pecora Bianca with the same rubric as I do other Italian restaurants, I repeated a claim I often find myself defending at work: sometimes I crave pizza, and sometimes I crave Domino’s. Although Domino’s is pizza, it scratches different itches than its higher-quality relatives. I spend one of my earliest newsletters defending chain restaurants and their greatness. La Pecora Bianca serves a different purpose than an old joint in deep Brooklyn, and I am happy to enjoy it all.
I walked home from that interaction through three boroughs, going from Manhattan to Brooklyn through Queens. Part of that walk was spent listening to a surprisingly prescient episode of Code Switch called “Why tacos are as ‘American’ as apple pie.” The episode begins at Taco Bell, one of the host’s favorite restaurants.
He and two producers discuss its joyful crappiness and discuss whether Taco Bell is Mexican food or not. The host sounds a lot like how I defend La Pecora Bianca, calling his beloved chain a different beast and, therefore, not Mexican food but having the shape of other things kind of like a platypus.
You know who does think it’s Mexican food? A Mexican guy who wrote a book on the history of tacos.
What food is authentic, and should we care about it?
Gustavo Arellano wrote Ask a Mexican, a popular column in the early 2000s in which people anonymously asked all kinds of questions they were too afraid to ask. He published a book called Taco USA: How Mexican Food Conquered America a decade ago and was one of the main subjects of this podcast episode.
He claims that every taco white people eat is a victory for Mexican people, a statement that caused quite a stir in the comment section, and that Taco Bell serves as a gateway drug for people to eventually want better Mexican food. I don’t think I agree with him, since I think Taco Bell is imitation Mexican, sort of. It’s beyond inauthentic, as most national chain food ends up, especially one founded by a non-Mexican white guy. I would call Chipotle slop bowl food before calling it Mexican.
Arellano’s argument is that Mexico is big, and traditions change. Conquistadors were fascinated by Mexican food the same way white Americans are today. Colonizers had rules and guidelines for the people they colonized, wanting them to swap out their corn for wheat to live a more Christian, stronger life. We love Mexican and Tex-Mex and Cali-Mex and find differences between all of them. If the essence is there — and especially if access to better is limited — authenticity has a wider definition.
He goes on to say that authenticity doesn’t have a fixed definition and is often what people associate with what their grandma cooked, and not every grandma cooked the same things. He takes issue with people who want to call things inauthentic rather than those who want to widen the umbrella. I think he has a really positive, hopeful view of what kinds of food we elevate. I agree with it in theory but not always in practice. One of the Spotify commenters said That’s like saying the slaveowners became less racist after eating soul food.
Dissenters refute his thesis, basically saying that if everything is authentic then nothing is. If Taco Bell is in the same category as someone’s grandma’s cooking, that waters down how special grandma’s passed-down recipes are. For cultures that are used to persevering against erasure, authenticity is a medal. The episode’s interviewees also touch on how food is an easy vehicle for discrimination, from bean-related slurs towards Mexican people and I know it smell crazy in there comments on Indian restaurant TikTok pages. To preserve culture through food is a privilege even when outsiders want sterilized, digestible (pun intended) versions of a people’s cuisine.
I don’t think that inauthentic has to be a bad word, though. There are plenty of delicious fusion restaurants that show how some cultures’ foods mix so harmoniously that it expands how you want to define authentic. One of the next meals I ate with my fam after moving to New York was Shalom Japan, whose name explains everything you need to know.
And even mediocre, inauthentic meals don’t have to be supervillains. I’d side-eye anyone that doesn’t eat Mexican food aside from Taco Bell, but I see a late-night Taco Bell run as part of a balanced diet. We all have our crappy faves we have compassion for, our exceptions to the rules. Why? It’s there when we need it or was there when we needed it previously. These tend to be greasier, cheaper, or more nationalized (at least in my experience — tell me what your exceptions are!) than their better counterparts. We call them something separate from their authentic cousins because we don’t want to slander something we love; we protect these places from haters. We find good in the bad.
As long as we know to separate the imitation from the OG, I think we should enjoy everything we think is delicious. Life is too short to not love what we eat.

This week’s photo is from the Queensboro Bridge, which just opened a pedestrian-only path I wanted to try. Unfortunately, I didn’t understand the signs and Maps wasn’t updated, so I accidentally walked on what used to be the shared bike-walker path. I almost got clipped a few times, but at least there were a few other dumb walkers like me. Although this was a much less strenuous walk going from Manhattan to Queens, I think the walk would be prettier from the other direction. I liked walking over Roosevelt Island, but I like walking over the Williamsburg and Brooklyn bridges better.
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Current fixations I want to mention
Food & Drink
I’d been outside for Pride but had never been inside Ginger’s, Park Slope’s long-running lesbian bar. Its reputation is a slightly sleepy spot for older ladies. I spontaneously popped in for what I thought would be a chill beer yesterday forgetting it would be packed in a post-Liberty Game, beginning-of-Pride jamboree. The first room is a normal bar, then there’s a dancefloor in the back, and, thankfully, a spacious patio in the back. Everyone was nice and excited to be there. The worst con is that it was cash only and their ATM wasn’t working, so I had to go next door to get money. There was a Wizard of Oz drag show that I didn’t watch but enjoyed seeing the performers’ outfits. Best of all, they have Dyke Beer on tap. I would definitely go back!
Music
No song has presented itself as the Song of the Summer yet, so we must take recession matters into our own hands and revive an older song. Meera’s contribution is the incomparable “I Wanna Go” by Britney Spears. This song first entered my consciousness through an old Bravo commercial that’s finally making the rounds again on Twitter. Watching the commercial as a middle schooler made me download the song on iTunes along with an even better song of Britney’s (and one of my favorite karaoke songs), “Criminal.” Something about the cheeky whistles mixed with the Bravo of it all made it feel like a campy, summer-campy song. It makes you want to get up and, well, go.
Internet & Pop Culture
Happy Pride! I enjoyed watching this person’s response to an old lady scoffing at a store’s pride section.
Television & Maybe Movies
Roll your eyes all you want at what I’m about to choose, but I can’t give you another week of talking about Housewives. Since this production employed the use of multiple large screens, I want to talk about Sarah Snook’s one-woman The Picture of Dorian Grey on Broadway. I never want to spend more than $70 on a Broadway ticket if I don’t have to, but when these exorbitantly expensive tickets deflated to $110, I had to ditch my rule. As a Shiv Roy salivator and Dorian virgin, I had really high expectations for this play. Play almost feels like a wrong word for this unconventional production that truly felt like the Intersection of Art and Technology in least clunky way possible. The only people on stage are Snook and a gaggle of cinematographers (one of whom I befriended in line at a bar years ago and will never unfollow on Instagram (the best relationships we have)) recording her from enough angles to make her renditions of 26 characters (even the narrator!) all feel separate. Differently sized screens appear and disappear throughout the show to show whatever Snook is doing or a prerecorded segment — or both at the same time. Two hours, no intermission, intense performance of constant dialogue. I didn’t know much about the story going in aside from it being tragic, discussing youth, getting trapped inside a painting, and homosexualizing up the world. It was way funnier than I assumed it would be, too. I think Dorian’s obsession with youth and influence is totally relatable (yikes!) and feels perfectly at odds with last week’s newsletter. There were some moments that felt a little confusing, but I really loved the show and would be floored if she doesn’t win a Tony.
Journalism & Literature
I’m a simple girl; it gets warm out, and I am compelled to read Toni Morrison. Now that I’ve read three of her books, I can feel confident in saying that she is one of my favorite authors. Her prose is musical and dreamy. I come to her to read about heat, sex, growing, taboo, and a bit of magic. Sula has all of this in spades, and it’s easy to gobble up quickly. Like Song of Solomon (which I read last year), this novel jumps through time to follow someone’s life. In this case, it’s the life of a Black neighborhood in the Ohio hills but mostly through the lenses of two girls, Nel and Sula. Both girls grew up together and were inseparable in their youth, operating as a unit despite their differences (Sula as a free spirited outsider, Nel as a more cautious conformist). One of them betrays the other in adulthood, and one of them dies young. The book is (maybe overly) saturated with death and murder in a way that almost feels mystical. I think Morrison does a great job of accurately writing about life experiences, but she writes about death in an abrupt way that sometimes feels alien. The novel is caked with ambiguity, and I feel like I probably missed a bunch of stuff. Hilariously, the book ends with one of the girls (all grown up) coining the phrase We were girls together in a much sadder context than besties making TikToks about each other invoke it. If this is your first time reading Morrison, I wouldn’t recommend starting with Sula. If it’s not, it’s a great (and sad) place to immerse yourself for a moment.
Something I Saw in the Wild
The gentrifier call is coming from inside the house, or at least the call is coming from inside the poorly constructed high-rise: I find white Bed-Stuy transplants cringier than those invading other New York neighborhoods. Here are three from my walk yesterday: 1. Twink(?) wearing a crewneck with Sad music in a university font 2. White, dirty guy with dreads teaching yoga class in the park 3. I was walking by an especially decrepit brownstone, and while I noticed it, I realized a well-dressed, elder-millennial hipster was taking pictures of it with his expensive camera. I can’t explain why #3 made me giggle-groan, but it did!

